21 February 2016

LIFE: The Quintili Brothers

CHIAVARI, Italy - The Quintili brothers, Sextus Quintilius Maximus and Sextus Quintilius Condianus, held Rome’s highest political office, that of Consul.  In 151 BC. they decided to build on the foundation of an old Hadrian era villa and create what would become the largest and grandest residence Rome had ever seen.
 The Ruins of the Villa Quintile
The villa of the Quintili, and the adjoining farming complex of Santa Maria Nova, covered such a large area along the old Appian Way, that when it was first discovered centuries later, everyone thought they had found another Rome, an older Rome. It had to be a town, they reasoned, for no villa could be so expansive. They even named the archeological site Vecchia Roma.

But it wasn’t another Rome. Needless to say a villa of such extraordinary size and beauty did not go unnoticed by the Gladiator Emperor Commodus Antonius. At his first opportunity he declared the villa Imperial property and had the brothers arrested for treason and put to death. And then he moved in. 
The Cryptoporticus 
He made some changes to the villa including a private bath complex fed by its own aqueduct, and a separate steam room for the Emperor's Pretorian guards. The a hippodrome, a racetrack for horse and chariot racing may have been the work of the Qunitili brothers, but most certainly it was the Emperor who had added an additional training area for gladiators.

Today the villa and S. Maria Nova are part of the Appia Antica archaeological park, and what was found in the most recent excavation has set Rome and the Romans buzzing. It is a work of extraordinary engineering, a semi-subterranean gallery or passageway whose vaulting supports portico structures above ground, lit from openings at the top of its arches. It’s called a cryptoporticus. 
 Montanus, The Retianius
The cryptoporticus may be a simple brick structure but it bears the marks of an extraordinary history. The walls, which were 6 to 7 ft. high were covered with white marble with blue-green veins pulled from the Algerian quarries of Hippo, and accented with strips of red marble taken from ancient quarries in Greece

Two perfectly preserved black and white mosaic floors were found, one depicting a gladiator named Montanus, a retiarius with net and trident. The other floor design shows horses tied together in pairs around a tree. The horses were for the fationes, the teams that vied for victory during the chariot races that were held at the racetrack of the villa.
Signatures of Slaves and Consuls 
But perhaps the most amazing part of this new discovery is the secret stash of bricks that was found, carved with the names of the consuls who ordered the work – Petino and Aproniano (123 BC). Even more amazing is that above the names of the consuls there is a series of dots clustered together like Morse code, which is how workers and slaves signed the bricks on projects they worked on. Even though we can’t decipher what the dots actually say, they do tell us that these men were there and created this structure.

The archeological site houses a museum with marble friezes and sculptures that once adorned the villa. You can also visit the nympheum, a natural grotto where local nymphs were thought to reside. There is also the hall of the tepidarium, a warm room which was the first stop after working up a sweat in the palaestra or gym and the frigidarium, the cold pool.
The Frigidarium 
Opening Hours 
Open every day from 9.00 to 16.30. Closed Mondays (except Easter Monday), 25 December, 1 January.
Saturdays, Sundays and national holidays: entrance is also from Via Appia Antica, n° 290.
Tickets 
Single ticket valid 7 days at 3 sites: Baths of Caracalla, Villa of the Quintilii, Mausoleum of Caecilia Metella.
Full Price: € 6.00.
Reduced: € 3.00 for citizens of the European Union 18 to 25 European Union teachers.

Free: Visitors 17 and under.

Copyright © 2016 Phyllis Macchioni


14 February 2016

LIFE: Happy Valentine's Day 2016


CHIAVARI, Italy - Today is Valentine’s Day. It’s a rosy hearts and flowers kind of day. A day where a romantic card, a gift, a bouquet of flowers from a significant other goes a long way to sweetening a romance. It’s the perfect day to show a little love.
Cupid, the Roman God of Love
But Valentine’s Day wasn’t always about boxes of chocolates and fancy wrapped gifts, nor was it called Valentine’s Day. In the beginning, somewhere around the 4th century, it was a pagan rite of passage, a tribute to the Roman God Lupercus, the God of Fertility.

The Roman rite of passage went something like this: Every spring, on the 15th of February, a type of lottery was created to decide which teenage girl would be with which teenage boy. The names of the girls were placed in a box and randomly drawn out by the boys. The girls would then become the “companion” of the boy who drew her name, and they would be together for mutual entertainment and pleasure, i.e. sex, until the next spring when the process would be repeated and everyone changed partners. 

As Christianity began to spread, the Church was determined to put an end to this eight hundred year fertility rite, and started looking for a “lovers” saint to replace the Fertility God Lupercus.  After much searching, they settled on Valentino, the Bishop of Interamma (modern day Terni).
Valentino, Bishop of Interamma 
The Bishop had made the mistake of enraging the emperor by protesting the edict of the Roman Emperor Claudius II forbidding marriage, and had been put to death by the mad emperor two hundred years before. Claudius believed that married men made poor soldiers because they were reluctant to leave their families for battle. He reasoned that the empire needed soldiers more than men needed wives, so he did what he thought was best for the empire and outlawed marriage.

To counter the Emperor, Bishop Valentino would often marry couples in secret. When Claudius learned about this ‘friend of lovers”, he had the bishop brought to Rome and gave him a choice: convert to paganism and worship the Roman Gods, or have his head cut off.  

Valentino turned down the Emperor’s offer and was thrown in prison to await his fate. While he was waiting to be executed he fell in love with the jailer’s blind daughter and, it was said, he miraculously restored her sight. Just before he was taken away to be clubbed, stoned and then decapitated, he wrote her a farewell note and signed it, “from your Valentino.” 
 
Romans Doing What Romans Did
Two hundred years later, the Church decided Valentino would be the ideal candidate to replace Lupercus, and in 496 A.D. Pope Gelasius outlawed the mid-February  Lupercian festival.  But because he knew how Romans love games of chance, he kept the lottery, substituting the girl’s names for the names of saints.

In the revised version of the Lupercian festival, both girls and boys could draw a name from the box, but the name was not the name of the person they would spend a year of hanky panky with, but the name of a saint, whose life they were to emulate for the entire year. 

Admittedly it was a struggle for the Romans to trade a year of wild sex for a year of piety, but in the end Christianity won out. Actually the only part of the Lupercian festival that remained was the tradition of men offering women they were interested in, a handwritten note of affection on Feb. 14th.  In the 16th century the Church tried to do away with that tradition as well, and as you well know, they didn’t succeed.
 
Family Portrait: Mars, Venus and Cupid
The cards became more popular and more decorative and often embellished with a drawing of the naked cherub Cupid, for in their hearts the Romans were never too far from their old gods.  Cupid, from the Latin cupido, meaning "desire") was the god of desire, affection and erotic love, and is described as the son of the Venus, the Roman goddess of love. His father was either Mars, the god of war, or Mercury, the messenger of the gods. It seems his mother was friendly with both of them.

Happy Valentine’s Day.

Copyright 2016 © Phyllis Macchioni



07 February 2016

LIFE: Buying Property in Italy - 10 Things to Know

CHIAVARI, Italy - Owning a property in Italy is the dream of many. Apart from the differences in the laws that cover real estate transactions, the process is unlike any you may have experienced in the past.
Villa For Sale in Trapani, Sicily
When I found this article by Italian real estate lawyer Nick Metta, I immediately thought it might help explain the intricacies of the Italian real estate system. I hope you find it useful. However, let me say that it is absolutely not meant to be used as a substitute for legal guidance, nor is it a recommendation of the author or his law firm. If you are planning on buying a property in Italy, contact your nearest Italian Consular for a list of qualified attorneys to help you through the process.
 
BUYING A PROPERTY IN ITALY: 10 THINGS YOU NEED TO KNOW

1. In Italy, each property has a list price and a "sale" price. The list price will of course gladly be accepted, but the sale price is the one the vendor is actually expecting to get. Italians go into a property purchase knowing this difference, as an inflated price is typical in order to embed negotiation room into the deal. As a buyer, you should always start by offering lower than list price and expect to negotiate from there.

2. Ask whether the property has a Habitability Certificate. If not, this gives you leverage to negotiate a substantial price reduction, as the vendor is required by law to provide a Certificate.

3. Ask whether the vendor recently did any renovation work. If so, a recent law allows income tax benefits to be transferred to the buyer – but only if this is mentioned in the agreement of sale.

4. Check whether the vendor has a mortgage on the property. If so, as the buyer, you could take over the mortgage under the existing terms saving substantial money on a new mortgage process. Furthermore, with the banks tightening up on mortgages, this could mean the difference between getting a mortgage or not.

5. Italian Notary Publics are highly skilled legal professionals who act as a neutral player in real estate transactions. The Notary meets the parties for the first time at the very final moment to sign the title transfer deed. The Notary will typically transfer the title by means of a standard purchase structure that fits the needs of average buyers. It is important to know that there are variations to this standard structure that could often benefit a foreign buyer. Be sure to communicate your particular situation and estate plans to the Notary so the ownership structure that best fits your needs can be adopted. To work out the details it is important to do this prior to the final completion meeting.

6. Italian real estate intermediaries typically act as dual agents, representing both the buyer and the vendor. Also, their fee is due as soon as the offer is accepted, even if the sale does not go through. It is possible to negotiate terms in advance, for instance, that the intermediary fee is due only if the transaction is completed. To obtain a safe deal that is best for your situation it is advisable to have your own independent expert working exclusively in your best interest, such as an experienced English speaking Italian lawyer.

7. In Italy the vendor (even a developer) is entitled to spend the deposit as soon as the buyer pays it. Ask for confirmation that the 20-year history of the title has been duly verified prior to giving any deposit to the vendor.

8. Transfer taxes vary from property to property. The buyer pays 100% of the transfer taxers. Request an accurate estimate of applicable taxes for your specific transaction and factor that amount into your budget.

9. Several tax reductions might apply depending on the case circumstances. If the buyer does not live in Italy but has (or is entitled to claim) Italian nationality, there is the opportunity to unconditionally save 70% on transfer taxes.

10. Remember to apply for and receive your Italian tax number (Codice Fiscale) as it is required for all Italian real estate transactions. It is the equivalent of an American Social Security Number and is free for the asking at any Italian tax office, through the consular office, or through a representative in Italy.

Nick Metta, Studio Legale Metta





31 January 2016

LIFE: Celebrating Fashion



CHIAVARI, Italy - Men’s Fashion Week in Milan ended last week, but its not over yet. The city is still trying to catch its breath from the onslaught of fashion buyers, models, seamstresses, hairdressers, make-up artists, carpenters, set and stage designers, photographers and of course all those journalists who fly in to bear witness to one of the greatest shows on earth – Italian fashion.
 
Moschino Spring/Summer 2016
Fashion is a huge business here. Traders on the Milan stock market closely follow the fashion shows and the design trade shows. Milan’s financial newspapers run special fashion sections each week, and Milan is home to an international news service dedicated solely to the fashion industry. Who’s lunching with Krizia and who’s having dinner with Donatella are not just items for the gossip mill, but serious industry indicators.

Like other rites of passage, the rites of fashion celebrate change, and every three months, designers must create a new miracle. Each season has to have a new set of commandments on color, length, cut, fit and fabric. Nothing can be the same. A new a blouse, a skirt, a dress, a coat and don’t forget the accessories, need to be new, never seen before, and then artfully presented, for the presentation is part of the show as well.
Dolce and Gabbna, Fall/Winter 2015/2016
Some fashions are meant to shock, others are designed to fill you with waves of nostalgia, but mostly it is scramble to catch headlines, to be the most outrageous or the most beautiful – the most talked about. Fashion is fluid, it moves, sometime slow and sometimes at breakneck speed, and while we may feel a little sea sick along the way, we do eventually catch up with the ideas designers present. But that doesn’t mean no one complains.

You can’t imagine the public outcry when in 1917 Coco Chanel grabbed up bolts of jersey and turned them into dresses. There was a war on, all the fabric mills were busy turning out materials for military uniforms, the only fabric left was jersey, and at the time, jersey was used exclusively for men’s underwear. It was a shocking idea, but not for long.
 
 Dolce and Gabbana Spring/Summer 2016

A few years later, when Chanel put on a pair of trousers and went to a posh garden party, the guests were once again scandalized. They had never seen a woman wearing trousers before, at least not in public. Shocking ideas come and go and then somehow work their way into normality. And even though we know that every fashion show has the potential to make us gasp, somehow we are always caught off guard when that moment comes.

So as the men paraded down the runway wearing sequined sweaters and colorful little flowers embroidered on overcoat sleeves, the audience tightened their seat belts and hung on.
 
 Prada Menswear Fall/Winter 2016

The way fashion news is presented depends on who the readers are. Working for the Milan bureau of Women’s Wear Daily (WWD), a New York based publication for the fashion industry. It is considered the bible of the fashion industry and my job was to tell our readers what was hot and what was not in the world of Italian fashion and design.

WWD is not a slick magazine like Vogue, it’s a newspaper, a workhorse, a deliverer of industry news and trends. Vogue, on the other hand, is a magic carpet. As we turn the pages of that slick magazine we are taken into a dream world, a fanciful myth, a fantasy dressed in aspirational clothes.
 
Dolce and Gabbana Spring/Summer 2016
We all know we will never look like the super models on their pages, but who cares. A little daydreaming never hurt anyone. Besides, it fattens the bottom line of the designer’s financial statements, although not necessarily in the way you might think.

Picture the fashion industry as a pyramid, a fashion pyramid divided into three parts. The very top of the pyramid is reserved for the super expensive haute couture lines, the clothes you see on the runways. Those clothes are rarely sold and primarily serve as publicity generators. It’s that need for publicity that is behind the elaborate fashion shows staged during Fashion Week in Paris, New York or Milan, and Red Carpet events at the Oscars and other award shows.
 
 Moschino, Spring/Summer 2016

You already know the first question celebs are asked as they approach the interviewer, “who are you wearing.” That’s when the big names start rolling off their lips like dew off a grape: Armani, Versace, Prada, the list goes on and on.

And if you think those celebs have reached into their own pockets for those gowns or tuxedos, think again. Most of the clothes are “on loan” which often translates as possession is nine-tenths of the law. I’ve got it – I keep it. So the top one third of the fashion pyramid on its own doesn’t actually translate to big sales, in fact it hardly translates into any sales at all.
 
Cavalli, Menswear Fall/Winter 2016
In the middle section of the pyramid you’ll find expensive clothes, but not as expensive as haute couture. The price tags don’t seem to faze the top earners in London, Tokyo, New York and Beijing, who are not shy about spending big bucks for clothes in general, and especially for special events. But while the middle of the fashion pyramid does generates its share of profit for designers, it falls far short of the real moneymaker - the bottom third of the pyramid.

The bottom third of the fashion pyramid is where you’ll find $250 Gucci belts, $300 Prada scarves, key chains, wallets, small accessories, bed linens, sunglasses, cosmetics and perfume. Flashing the much sought after designer label, this is where the designers make the money to buy villas in France and penthouse apartments in New York.
 
 Moschino, Spring/Summer 2016
Those who are not able to afford the higher-ticket items will buy a little something from his/her favorite designer that makes them feel part of the bigger, more glamorous, picture. And the products are good. I’m not a designer junkie, but I confess, I love Chanel 5 parfum and I don’t feel at all guilty about spending money on it.

While most fashion journalists try to maintain a neutral position regarding the designers and their creations, they rarely succeed. We are all dazzled, bewitched and bewildered by the magic fashion creates, and even if a journalist struggles to find something positive to say about a particular line, most hope that they have been able to convey a little of the magic.   

Copyright © Phyllis Macchioni 2016