CHIAVARI, Italy – It’s not hard to
imagine what life was like in Chiavari during the Middle Ages, any early
morning stroll through the old portico covered streets of this small town on
the Italian Riviera will take you back thousands of years, and do it faster
than a time machine.
What I like the most about Chiavari
are the porticoed streets of the historic center. They are called “carruggi” in
Genovese dialect, and while many of them look like movie sets, they unify the
center of town better than any other architectural detail ever could.
The porticoes were
the idea of the Genovese, who took control of the town in 1167. The Genovese
were merchants and traders and realized that Chiavari, which was located at the
crossroads of the Roman Via Aurelia and the roads for Emilia and Lombardy, was
in a strategic commercial position.
And
precisely because of its position, the town was often under attack by other
city states who also recognized the commercial possibilities, as well as by
Barbary pirates who lurked in the watery coves waiting for an opportunity to
haul away cargo and sell off the locals as slaves.
Within
a year of taking control, the Genovese fortified the town by building a
castle/fortress on the edge of town. Less than ten years later they drew up a
plan for what was to be the new Chiavari, safe and secure, enclosed
by a circle of walls complete with
a moat and a drawbridge. To
develop balance in the urban core of the town they created a commercial area of
porticoed streets.
The most important porticoed street
is via Martiri della Liberazione, known locally as the “carrugio lungo”, the
long street. From its conception in the 1100’s, it was designed to be a
commercial street occupied by artisans and merchants. On this
street, more than in other parts of town, the columns and
capitals that form the bases of the porticos are made from a variety of
materials, including marble and granite.
Because of the differences in the materials, town
historians think that the columns and capitals came from China, carried as
ballast on Genovese cargo ships on their return trips. It’s entirely possible
as the Chiavarsi, as well as the Genovese, had been actively doing business
with, or living in China since the days of Marco Polo.
There was a lot of money to be made in those
early days, and if you were a merchant or trader in this town, chances are you
were very rich. And if you also happened to have a Pope on one of the branches
of your family tree, you were probably richer than most of your
richer-than-all-get-out neighbors. In fact, you were probably richer than
anyone in the entire territory.
That was the situation with the Ravaschieri family
who were related to Pope Innocent IV.
Sometime after the year 1250, they built themselves a palazzo the likes
of which Chiavari had never seen before.
The palazzo was – and is still – called the Palazzo dei Portici Neri,
the Palazzo of the Black Porticoes and it is on Via Ravaschieri. Of course it
is.
Not only are the porticoes on this Gothic
building black – as they are made of slate - but they are twice as wide and twice as tall
as any porticoes in town. The building’s façade is made from alternating bands
of marble and slate, giving it the characteristic black and white stripes that
have set the palazzi of rich and royal Genovese apart from the run-of-the-mill
palazzi owners for centuries.
But
for all the grand buildings and soaring porticoes, I confess the parts of
Chiavari I like the best are the back streets with the squatty old porticoes,
the ones where the posts look a little bow-legged and a little tired. I like
the posts that seem to have shaken off the layers of cement put on them over
the years in an attempt to give the old bricks a make-over. I’m glad they
resist. They have been standing in place
for almost a thousand years and no doubt they’ll be standing long after those
who want to fancy them up are gone.
Not far from my apartment there is a
building that dates back to 1493. From
what you can still see of it, it was a building of rare and haunting beauty. On
its façade there is a slate carving of exquisite workmanship, and an
inscription on a column that has been almost entirely worn away by time. There
is also the bust of a man, clearly from the Renaissance, but nothing is known
of him. Why he is there is a complete mystery, but he has left his mark.
Going Home |
You can almost feel the spirits of
the many Chiavarese who have passed this way as you walk along the oldest of
the old streets, the ones with the short, squatty porticoes that pull you in
and protect you. And I’m convinced that one of these days I’m going to turn a
corner and actually run into Christopher Columbus. I"m convinced it will happen.
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